Jules Massenet, Anna Netrebko's 'Il Bacio' came out on January 1, 2008. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Souvenirs". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. Il Bacio is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il Bacio by Jules Massenet, Anna Netrebko having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata - Act. I - Libiam Ne' Lieti Calici (Brindisi) | Luciano Pavarotti, Renata Scotto | B♭ Major | 3 | 6B | 97 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | F♯ Major | 1 | 2B | 81 BPM | ||
Hérodiade - Acte IV - 1er tableau - Scène XIII : Salomé ! Jean ! (Jean, Salomé, Le Grand Prêtre) | Henri Gremont, Jules Massenet, Paul Milliet, Jean Philippe Courtis - Ben Heppner - Orchestre Du Capitole De Toulouse - Michel Plasson - Cheryl Studer, Michel Plasson, Orchestre Du Capitole De Toulouse | A Minor | 2 | 8A | 82 BPM | ||
Mamma | Leo Nucci, Salotto Ottocento Ensemble | F Minor | 3 | 4A | 77 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Aida: Numi, pietà | Giuseppe Verdi, Anna Netrebko, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | A♭ Major | 2 | 4B | 174 BPM | ||
L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
A. Vucchella | Katia Ricciarelli | F Major | 2 | 7B | 96 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 1: Letter Scene. "Puskai pogibnu ya, no prezde" | Pyotr Ilyich Tchaikovsky, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | C Major | 4 | 8B | 120 BPM |