"2 Dialogues for Organ: No. 1, —" by Peter Hurford, John Sanders was released on September 14, 1988. With 2 Dialogues for Organ: No. 1, — being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 12 in English Organ Music of the 19th & 20th Centuries by John Sanders. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, 2 Dialogues for Organ: No. 1, — is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Dialogues for Organ: No. 1, — by Peter Hurford, John Sanders is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | ||
Capriol Suite: 4. Bransles | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 2 | 9B | 156 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
Organ Concerto No. 7 in B Flat Major, Op. 7, No. 1, HWV 306: 1. Andante - Andante - Adagio | George Frideric Handel, Peter Hurford, Concertgebouw Chamber Orchestra, Joshua Rifkin | G Major | 1 | 9B | 67 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | ||
Trois Pièces: 3. Litanies | Jehan Alain, Peter Hurford | B♭ Minor | 2 | 3A | 88 BPM | ||
Trumpet Tune in C Major, ZT 697 (Arr. for Brass Ensemble and Organ) | Henry Purcell, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 99 BPM |