Richard Wagner, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli's 'Tannhäuser - Paris version / Act 1: "Stets soll nur dir, nur dir mein Lied ertönen"' came out on January 1, 1989. With Tannhäuser - Paris version / Act 1: "Stets soll nur dir, nur dir mein Lied ertönen" being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wagner: Tannhäuser by Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli. The song's track number on the album is #7 out of 38 tracks. In terms of popularity, Tannhäuser - Paris version / Act 1: "Stets soll nur dir, nur dir mein Lied ertönen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser - Paris version / Act 1: "Stets soll nur dir, nur dir mein Lied ertönen" by Richard Wagner, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tannhäuser - Paris version / Act 1: "Stets soll nur dir, nur dir mein Lied ertönen" being at 98 テンポ, the half-time would be 49 テンポ with a double-time of 196 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 2: Si, fino all'ore estreme | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 115 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
Cendrillon: Prenez un maintien gracieux | Jules Massenet, Philharmonia Orchestra, Julius Rudel | G Major | 1 | 9B | 84 BPM | ||
Nessun dorma! from Turandot | Plácido Domingo | D Major | 4 | 10B | 80 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 2: "Oh! di qual sei tu vittima ".."Oh! qual traspare orribile".."Norma! de’ tuoi rimproveri" | Vincenzo Bellini, Cecilia Bartoli, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 3 | 6B | 171 BPM | ||
Götterdämmerung, WWV 86D, Prologue: Siegfrieds Rheinfahrt | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | G Minor | 0 | 6A | 68 BPM | ||
Puccini: Turandot, Act 1: "Popolo di Pekino!" (Il mandarino, La Folla, Guardie, Liù) | Giacomo Puccini, Renata Scotto, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 95 BPM | ||
Puccini: Turandot, Act 3: "Straniero, tu non sai" (Ping, Coro, Calaf) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Mattia Olivieri, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 3 | 6A | 80 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 1: No. 2, Terzetto. "È la fede delle femmine" (Don Alfonso, Ferrando, Guglielmo) | Wolfgang Amadeus Mozart, Alfredo Kraus, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra | E Major | 2 | 12B | 103 BPM |