"Till Eulenspiegel, op.28" by Baden-Baden Radio Symphony Orchestra, Jascha Horenstein was released on November 27, 2011. Till Eulenspiegel, op.28 appears to be safe for all ages as it is not explicit. There is only one song in 1-2-3 - Greatest Symphonies, so we believe that "Till Eulenspiegel, op.28" is a single. The popularity of Till Eulenspiegel, op.28 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Till Eulenspiegel, op.28 by Baden-Baden Radio Symphony Orchestra, Jascha Horenstein is Vivace (lively and fast), since this song has a tempo of 166 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8: IV. Rondo. Allegro molto vivace | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | D Major | 1 | 10B | 126 BPM | ||
The Seasons, Op. 67, Pt. 2 "Le printemps": No. 8, Entrée de printemps, zéphyre, les fées des fleurs, les oiseaux et les fleurs | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VII. Der stürmende Aeolus | Georg Philipp Telemann, Robert King, The King's Consort | F♯ Major | 5 | 2B | 140 BPM | ||
Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
Serenade for Strings in E Major, Op. 22/B. 52: II. Tempo di Valse | Antonín Dvořák, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Mussorgsky: Boris Godunov, Prologue: Introduction | Modest Mussorgsky, Issay Dobrowen, Orchestre National Radiodiffusion Française | C Major | 1 | 8B | 149 BPM | ||
Baker Street Reunion (The Empty House) | Gabrieli String Quartet, Kenneth Sillito, Leslie Pearson, Neil Black | A Minor | 0 | 8A | 78 BPM | ||
Má Vlast, JB1:112: Má Vlast, JB1:112: III. Šárka | Bedřich Smetana, Czech Philharmonic, Semyon Bychkov | F Major | 1 | 7B | 116 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso V | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | C Minor | 4 | 5A | 126 BPM |