"Piano Concerto No. 3 in C Minor, Op. 37: II. Largo" by Ludwig van Beethoven, Glenn Gould, Leonard Bernstein, Columbia Symphony Orchestra was released on 1960. Piano Concerto No. 3 in C Minor, Op. 37: II. Largo appears to be safe for all ages as it is not explicit. The song is number 2 out of 3 in Beethoven: Piano Concerto No. 3 in C Minor, Op. 37 (Gould Remastered) by Ludwig van Beethoven, Glenn Gould, Leonard Bernstein. Piano Concerto No. 3 in C Minor, Op. 37: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 3 in C Minor, Op. 37: II. Largo by Ludwig van Beethoven, Glenn Gould, Leonard Bernstein, Columbia Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio: II. Tempo di marcia | Leonard Bernstein, Charles Bernard, Opus Two | D Minor | 3 | 7A | 107 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Cum mortuis in lingua mortua | Modest Mussorgsky, Maurice Ravel, New York Philharmonic, Leonard Bernstein | F♯ Major | 0 | 2B | 97 BPM | ||
Borodin - String Quartet No.2 in D major: Scherzo: Allegro | Alexander Borodin, Borodin Quartet | C Major | 2 | 8B | 121 BPM | ||
Carmen Suite No. 1: Prélude. Andante moderato (Prelude to Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 65 BPM | ||
Preludes, Op. 28: No. 23 in F Major, Moderato | Frédéric Chopin, Grigory Sokolov | F Major | 0 | 7B | 70 BPM | ||
Piano Concerto in F sharp minor, Op.20: 1. Allegro | Alexander Scriabin, Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | F♯ Minor | 1 | 11A | 86 BPM | ||
Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | F Major | 1 | 7B | 100 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM |