"I Was Glad" by Hubert Parry, Waynflete Singers, Winchester Cathedral Choir, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill was released on October 1, 1991. Since I Was Glad is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Winchester Cathedral Choir, Hubert Parry, Waynflete Singers, Edward Bairstow, Bournemouth Symphony Orchestra, Edward Elgar, David Hill, Charles Villiers Stanford, Patrick Hadley's "Jerusalem: Parry, Stanford & Elgar" album is number 1 out of 12. On top of that, United Kingdom appears to be the country where this track was created. I Was Glad is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Was Glad by Hubert Parry, Waynflete Singers, Winchester Cathedral Choir, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 86 BPM | ||
Requiem: 1. Requiem & Kyrie | Andrew Lloyd Webber, Paul Miles-Kingston, Thomas Drew, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel, Plácido Domingo | A Minor | 1 | 8A | 98 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
Fantasia on British Sea Songs (excerpts): III. Jack's the Lad | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 1 | 11B | 145 BPM |