Natalie Dessay's 'Serge et Nathalie' came out on November 15, 2019. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Nougaro : Sur l'écran noir de mes nuits blanches". In this album, this song's track order is #6. Based on our statistics, Serge et Nathalie's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Serge et Nathalie by Natalie Dessay having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Fiançailles pour rire, FP 101: No. 5, Violon | Francis Poulenc, Natalie Dessay, Philippe Cassard | D Major | 0 | 10B | 73 BPM | ||
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Recti.: "Folle, tu niegh'l tempo" (Bellezza/Piacere/Disinganno) | George Frideric Handel, Natalie Dessay, Emmanuelle Haïm | E Minor | 1 | 9A | 83 BPM | ||
Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM | ||
Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | ||
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM |