Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2

Franz Liszt, Henrik Måwe
Classical Piano 101
10:06 2019年4月19日
テンポ
159
キー
A♭ Major
キャメロットミュージックキー
4B

リンクを埋め込む

共有

Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 - Franz Liszt, Henrik Måwe 情報

音響性
87%
ダンサビリティ
18%
エネルギー
35%
手段性
93%
活気
12%
ラウドネス
74%
話し言葉
4%
価数
6%
人気
ラウドネス
-15.566 dB

まとめ

"Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2" by Franz Liszt, Henrik Måwe was released on April 19, 2019. Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 appears to be safe for all ages as it is not explicit. The song is number 85 out of 101 in Classical Piano 101 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 テンポ

The tempo marking of Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 by Franz Liszt, Henrik Måwe is Vivace (lively and fast), since this song has a tempo of 159 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 5/4.

Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 キー

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Elgar: Salut d'amour, Op. 12 (Orchestral Version) by Edward Elgar, Northern Sinfonia Of England, Richard Hickox, Royal Northern SinfoniaElgar: Salut d'amour, Op. 12 (Orchestral Version)Edward Elgar, Northern Sinfonia Of England, Richard Hickox, Royal Northern SinfoniaE Major112B56 BPM
4 Impromptus, Op.90, D.899: No.3 In G Flat: Andante by Franz Schubert, Daniel Barenboim4 Impromptus, Op.90, D.899: No.3 In G Flat: AndanteFranz Schubert, Daniel BarenboimF♯ Major02B78 BPM
Nocturnes, Op. 9: No. 2, Andante in E-Flat Major by Axel GillisonNocturnes, Op. 9: No. 2, Andante in E-Flat MajorAxel GillisonG Major09B69 BPM
Waldszenen, Op. 82: 3. Einsame Blumen by Robert Schumann, Mitsuko UchidaWaldszenen, Op. 82: 3. Einsame BlumenRobert Schumann, Mitsuko UchidaB♭ Major06B69 BPM
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance by Edvard Grieg, English Chamber Orchestra, Raymond LeppardPeer Gynt Suite No.1, Op.46: 3. Anitra's danceEdvard Grieg, English Chamber Orchestra, Raymond LeppardE Minor09A158 BPM
Masquerade Suite: I. Waltz by Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony OrchestraMasquerade Suite: I. WaltzAram Khachaturian, Kirill Kondrashin, RCA Victor Symphony OrchestraC Major38B181 BPM
Fantasie Impromtu, Op. 66 (Chopin) by Anna MalikovaFantasie Impromtu, Op. 66 (Chopin)Anna MalikovaD♭ Major13B78 BPM
Préludes for Piano, L 117: La fille aux cheveux de lin (The Girl with the Flaxen Hair) by Henrik MåwePréludes for Piano, L 117: La fille aux cheveux de lin (The Girl with the Flaxen Hair)Henrik MåweF♯ Major12B71 BPM
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle by London Philharmonic OrchestraLes contes d'Hoffmann (The Tales of Hoffmann): BarcarolleLondon Philharmonic OrchestraD Major110B80 BPM
6 Etudes d'exécution transcendante d'après Paganini, S. 140: 3. La Campanella by Franz Liszt, Jorge Bolet6 Etudes d'exécution transcendante d'après Paganini, S. 140: 3. La CampanellaFranz Liszt, Jorge BoletA♭ Minor21A90 BPM
ISRC
SEWDL6018053
レコードレーベル
L-M Records/RCA Records