"Winds of Nagual: The Desert / Don Juan Emerges from the Mountains" by Michael Colgrass, Cincinnati Wind Symphony, Eugene Migliaro Corporon was released on January 1, 1995. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 24 in Cincinnati Wind Symphony: Hearts Music by Cincinnati Wind Symphony, Eugene Migliaro Corporon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Winds of Nagual: The Desert / Don Juan Emerges from the Mountains is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Winds of Nagual: The Desert / Don Juan Emerges from the Mountains by Michael Colgrass, Cincinnati Wind Symphony, Eugene Migliaro Corporon is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 12, Op. 88: III. Mascherata | Vincent Persichetti, David Zerkel | A Major | 0 | 11B | 71 BPM | ||
Variations for Four Drums and Viola: Andante agitato - Recorded 1959 | Emanuel Vardi, Michael Colgrass | D Major | 1 | 10B | 125 BPM | ||
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): V. Dance of the Tumblers | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
Messiaen: Éclairs sur l'au-delà...: VI. Les sept anges aux sept trompettes | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Trittico: II. Adagio | Václav Nelhýbel, Dallas Wind Symphony, Frederick Fennell | F Major | 1 | 7B | 74 BPM | ||
Urban Requiem | University Of Miami Wind Ensemble, David Fernandez, Tom McCormick Stephen Welsh, George Weremchuk | A♭ Major | 0 | 4B | 51 BPM | ||
Divine Mischief: Concerto for Clarinet: III. Spellbound | John Mackey, Julian Bliss, Baylor University Wind Ensemble, J. Eric Wilson | A Major | 3 | 11B | 94 BPM |