"L'Orfeo, Atto secondo: VII. Chi ne consola, ahi lassi?" by Claudio Monteverdi, Jordi Savall, Gerd Türk, Carlos Mena, La Capella Reial De Catalunya, Le Concert Des Nations was released on June 8, 2015. L'Orfeo, Atto secondo: VII. Chi ne consola, ahi lassi? is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The song is number 14 out of 32 in Claudio Monteverdi: L'Orfeo by Claudio Monteverdi, Jordi Savall. Based on our statistics, L'Orfeo, Atto secondo: VII. Chi ne consola, ahi lassi?'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Orfeo, Atto secondo: VII. Chi ne consola, ahi lassi? by Claudio Monteverdi, Jordi Savall, Gerd Türk, Carlos Mena, La Capella Reial De Catalunya, Le Concert Des Nations is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces à deux violes du Premier Livre, suite en ré mineur: IV. Sarabande (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 1 | 12A | 91 BPM | ||
Purcell : King Arthur : Act 2 "Come, follow me" [Soprano, Bass, Chorus] | William Christie | C Major | 1 | 8B | 75 BPM | ||
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Philippe Pierlot, Carlos Mena, Hans-Jörg Mammel, Anna Zander, Ricercar Consort, Maria Keohane, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Fago: Tam non splendet sol creatus: I. "Tam non splendet sol creatus" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 3 | 12B | 120 BPM | ||
Magnificat en sol mineur, RV 610: VI. Esurientes | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Le Concert Des Nations | A Major | 2 | 11B | 89 BPM | ||
Purcell : King Arthur : Act 1 "I call you all to Woden's Hall" [Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 79 BPM | ||
Dolcissimi legami di parole amorose | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | D Minor | 1 | 7A | 79 BPM | ||
Che se tu se’il cor mio | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | C Minor | 1 | 5A | 133 BPM | ||
Premier Concert: Sarabande - Mesuré (Couperin) | Le Concert Des Nations, Jordi Savall | F Minor | 1 | 4A | 115 BPM | ||
Pièces de viole du Troisième Livre, suite I en la mineur: Grand Ballet [13] (1711) | Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman | A♭ Minor | 2 | 1A | 150 BPM |