"Die Fledermaus / Act 1: Nr.1 Introduktion: "Täubchen, das entflattert ist" - Edit" by Johann Strauss II, Hilde Gueden, Erika Köth, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 2009. The duration of Die Fledermaus / Act 1: Nr.1 Introduktion: "Täubchen, das entflattert ist" - Edit is about 3 minutes long, at 3:27. Based on our data, "Die Fledermaus / Act 1: Nr.1 Introduktion: "Täubchen, das entflattert ist" - Edit" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 20 in Die Fledermaus - Highlights by Johann Strauss II, Wiener Philharmoniker, Vienna State Opera Chorus, Herbert von Karajan. Die Fledermaus / Act 1: Nr.1 Introduktion: "Täubchen, das entflattert ist" - Edit is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Die Fledermaus / Act 1: Nr.1 Introduktion: "Täubchen, das entflattert ist" - Edit by Johann Strauss II, Hilde Gueden, Erika Köth, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Sleeping Beauty Waltz | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | B♭ Major | 2 | 6B | 105 BPM | ||
The Peasant and The Poet | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | D Major | 2 | 10B | 86 BPM | ||
Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
Gold And Silver Waltz (Gold und Silber/L'or et l'argent) | Franz Lehár, Strauss Festival Orchestra, Peter Guth | C Major | 2 | 8B | 175 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
An der schönen blauen Donau, Op. 314 | Johann Strauss II, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | D Major | 1 | 10B | 97 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 3 | 5A | 74 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM |