"A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.10 b) Funeral March" by Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa had its release date on January 1, 1994. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver's "Mendelssohn: A Midsummer Night's Dream" album is number 12 out of 15. In terms of popularity, A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.10 b) Funeral March is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.10 b) Funeral March by Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major: II. Aria I | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | D Minor | 1 | 7A | 96 BPM | ||
Violin Sonata in F Major, MWV Q26: II. Adagio | Felix Mendelssohn, Anne-Sophie Mutter, André Previn | A Major | 1 | 11B | 102 BPM | ||
Rhapsody On A Theme Of Paganini, Op.43: Variation 24. A tempo un poco meno mosso | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | B♭ Major | 3 | 6B | 111 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Doriot Anthony Dwyer, Boston Symphony Orchestra, Michael Tilson Thomas | A♭ Minor | 1 | 1A | 89 BPM | ||
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 2 | 8B | 137 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25: III. Presto - Molto allegro e vivace - Live | Felix Mendelssohn, Oliver Schnyder, Douglas Boyd | D♭ Major | 2 | 3B | 136 BPM | ||
5 Piano Pieces, Op. 3, TrV 105: No. 1. Andante | Richard Strauss, Stefan Veselka | B♭ Major | 2 | 6B | 77 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
Polovetsian Dances from Prince Igor: Presto II | Alexander Borodin, George Szell, Cleveland Orchestra | B♭ Major | 3 | 6B | 111 BPM |