"Messa da Requiem (2004 Digital Remaster): VI. Lux aeterna" by Munich Philharmonic Orchestra, Kurt Rydl, Sergiu Celibidache, Reinhild Runkel, Elena Filipova, Chor des Münchner Philharmoniker, Peter Dvorsky was released on November 28, 2005. Since Messa da Requiem (2004 Digital Remaster): VI. Lux aeterna is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: Messa Da Requiem by Sergiu Celibidache. The song's track number on the album is #3 out of 21 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Messa da Requiem (2004 Digital Remaster): VI. Lux aeterna is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem (2004 Digital Remaster): VI. Lux aeterna by Munich Philharmonic Orchestra, Kurt Rydl, Sergiu Celibidache, Reinhild Runkel, Elena Filipova, Chor des Münchner Philharmoniker, Peter Dvorsky has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem (2004 Digital Remaster): VI. Lux aeterna being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Symphony No. 9 in E-Flat Major, Op. 70: V. Allegretto | Dmitri Shostakovich, Munich Philharmonic Orchestra, Sergiu Celibidache | E Major | 10 | 12B | 85 BPM | ||
Te Deum: Te ergo quaesumus | Georges Bizet, Angela Maria Blasi, Christian Elsner, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | D Major | 1 | 10B | 108 BPM | ||
Britten: War Requiem, Op. 66: IV. Dies irae - " Dies irae, dies illa" (Chorus) | Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
Hänsel und Gretel: "Abends will ich schlafen gehn" | Engelbert Humperdinck, Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 84 BPM | ||
Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 97 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM | ||
Symphony No.1 in C major: IV. Allegro vivace | Munich Philharmonic Orchestra, Alfred Scholz | G Major | 3 | 9B | 135 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | E♭ Major | 1 | 5B | 83 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | E Major | 1 | 12B | 78 BPM | ||
Britten: War Requiem, Op. 66: XVIII. Libera me - "Libera me" (Soprano, Chorus) | Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra | A Major | 1 | 11B | 98 BPM |