"Te Deum H146 (1989 Digital Remaster): Fiat misericordia" by Marc-Antoine Charpentier, Felicity Lott, Eiddwen Harrhy, Charles Brett, Ian Partridge, Stephen Roberts, Choir of King's College, Cambridge, Philip Ledger, Academy of St. Martin in the Fields was released on 1989. With Te Deum H146 (1989 Digital Remaster): Fiat misericordia being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 18 in Charpentier - Sacred Choral Works by Marc-Antoine Charpentier, Dame Felicity Lott/Choir of King's College, Cambridge/Academy of St Martin-in-the-Fields/English Chamber Orchestra/Sir Philip Ledger/Sir David Willcocks/Eiddwen Harrhy/April Cantelo/Helen Gelmar/Charles Brett/James Bowman/Ian Partridge/Step, Philip Ledger, Sir David Willcocks, Academy of St. Martin in the Fields, English Chamber Orchestra. In terms of popularity, Te Deum H146 (1989 Digital Remaster): Fiat misericordia is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum H146 (1989 Digital Remaster): Fiat misericordia by Marc-Antoine Charpentier, Felicity Lott, Eiddwen Harrhy, Charles Brett, Ian Partridge, Stephen Roberts, Choir of King's College, Cambridge, Philip Ledger, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Deitatis Majestatem: I. Deitatis Majestatem | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, André Morsch | C Minor | 2 | 5A | 75 BPM | ||
Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie) | Johann Philipp Krieger, Núria Rial, Julia Schröder | B Minor | 1 | 10A | 96 BPM | ||
Cavalli: L'Eliogabalo: Sinfonia | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 98 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau | Marc-Antoine Charpentier, Les Musiciens du Louvre, Marc Minkowski | C Major | 6 | 8B | 95 BPM | ||
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 3: "Je cède, je me rends" | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé, Nicolas Brooymans, Robert Getchell | A Major | 2 | 11B | 81 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM |