Dmitri Shostakovich, Tonkünstler-Orchester, Yutaka Sado made "Suite for Variety Orchestra: VII. Waltz No. 2" available on April 20, 2018. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Shostakovich: Symphony No. 5 & Suite for Variety Orchestra". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Austria. Suite for Variety Orchestra: VII. Waltz No. 2 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Suite for Variety Orchestra: VII. Waltz No. 2 by Dmitri Shostakovich, Tonkünstler-Orchester, Yutaka Sado having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Les cyclopes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 3 | 7A | 130 BPM | ||
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): III. Allegro non troppo | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Minor | 0 | 5A | 98 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Minor | 2 | 6A | 136 BPM | ||
Desplat: The Grand Budapest Hotel | Alexandre Desplat, Emmanuel Pahud, Florentino Calvo, Orchestre National De France | F Major | 2 | 7B | 76 BPM | ||
Danse macabre, Op. 40, R. 171 | Camille Saint-Saëns, Luben Yordanoff, Orchestre de Paris, Daniel Barenboim | G Minor | 2 | 6A | 112 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM |