Christoph Willibald Gluck, Théophile Alexandre, Quatuor Zaïde's 'Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret)' came out on January 21, 2022. The duration of Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "No(s) Dames". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Based on our statistics, Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) by Christoph Willibald Gluck, Théophile Alexandre, Quatuor Zaïde having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Première Lamentation du Mercredi saint: I. Incipit lamentatio Jeremiae prophetae | Joseph-Hector Fiocco, Ana Vieira Leite, Diana Vinagre, Ensemble Bonne Corde | E Major | 1 | 12B | 99 BPM | ||
Don Juan ou le Festin de pierre, Wq. 52: 2. Andante | Christoph Willibald Gluck, Jordi Savall, Le Concert Des Nations | A Minor | 1 | 8A | 120 BPM | ||
Salve Regina: No. 3., Ad te suspiramus | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirit, "Melodie d'Orfee" (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Dmitry Paperno | D Minor | 0 | 7A | 72 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30: Sinfonia | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Caccini: Lasciatemi qui solo | Francesca Caccini, Christina Pluhar, L'Arpeggiata, Benedetta Mazzucato | F Major | 1 | 7B | 70 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'Erebo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | G Major | 3 | 9B | 122 BPM | ||
Deux chansons: No. 2, Chanson de l'adieu | Dilyana Georgieva, Galina Apostolova | E Major | 1 | 12B | 79 BPM | ||
Orfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Vieni! Segui i miei passi | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Veronica Cangemi, Freiburger Barockorchester, Bernarda Fink | A Major | 0 | 11B | 97 BPM | ||
Giulio Cesare in Egitto, HWV 17: Son nata a lagrimar | George Frideric Handel, raffaele pe, Raffaella Lupinacci, La Lira di Orfeo | E♭ Minor | 2 | 2A | 83 BPM |