"Scots Nativity - Mixed Voices" by Alan Bullard, Traditional, The Oxford Choir, Bob Chilcott had its release date on 2006. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Scots Nativity - Mixed Voices's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 18 in Christmas Choral Highlights 2006 by Traditional, Oxford University Press Music, Bob Chilcott. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Scots Nativity - Mixed Voices is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Scots Nativity - Mixed Voices by Alan Bullard, Traditional, The Oxford Choir, Bob Chilcott is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Sheep May Safely Graze (Arr. for Orchestra by John Rutter) | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
Fantasy on a Japanese Folk Song | Brian Balmages, Flower Mound High School Chamber Orchestra, Kerri Harris-Keller | B Minor | 2 | 10A | 75 BPM | ||
Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
Behind the ocean | Larimar Music Vibes | A♭ Minor | 0 | 1A | 140 BPM | ||
Be still, for the presence of the Lord - SABar | David J. Evans, Richard Shephard, Thankyou Music, The Oxford Choir, Alan Bullard, Bob Chilcott | D Major | 0 | 10B | 95 BPM | ||
2 Fantasy Pieces for Oboe & Piano, Op. 2, FS 8: No. 1, Romance (Arr. for Violin & Orchestra by Anonymous) | Carl Nielsen, Bohdan Luts, Odense Symphony Orchestra, Anna Skryleva | D Minor | 1 | 7A | 107 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 3 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
No Calvário | Alexandre Pinatto | A♭ Major | 1 | 4B | 73 BPM | ||
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Schafe können sicher weiden (Arr. for Piano by Guoda Gedvilaitė) | Johann Sebastian Bach, Guoda Gedvilaitė | E Minor | 0 | 9A | 81 BPM | ||
Die still Stadt | Alma Mahler, Aitor Llimerá, Mario Mora | D Minor | 1 | 7A | 70 BPM |