"Esto mihi: I. Esto mihi" by Heinrich Isaac, Owain Park, The Gesualdo Six was released on October 29, 2021. The duration of Esto mihi: I. Esto mihi is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Esto mihi: I. Esto mihi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Gesualdo Six, Johannes Ockeghem, Owain Park, Josquin des Prez, Loyset Compère, Antoine Brumel, Pierre de la Rue, Antoine de Févin, Jean Mouton, Adrian Willaert, Heinrich Isaac, Jean L'héritier's "Josquin's Legacy: Motets of the 15th & 16th Centuries" album is number 20 out of 30. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Esto mihi: I. Esto mihi is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Esto mihi: I. Esto mihi by Heinrich Isaac, Owain Park, The Gesualdo Six to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pesnopeniya i molitvi (Canticles and Prayers): Introduction: O Lord, save the pious | Georgy Sviridov, Nazar Yakobenchuk, Credo Chamber Choir, Bogdan Plish | B♭ Minor | 0 | 3A | 79 BPM | ||
Requiem Officium Defunctorem: Kyrie | Tomás Luis de Victoria, William Lyons, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 75 BPM | ||
Melancholy Galliard | Hopkinson Smith, John Dowland | A♭ Major | 1 | 4B | 80 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
J'ayme trop mieux souffrir la mort | Guillaume Costeley, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Marco Horvath, Le Poème Harmonique, Vincent Dumestre | C Major | 0 | 8B | 80 BPM | ||
Motet: Parce, Domine | Heinrich Isaac, Jordi Savall | A Minor | 1 | 8A | 100 BPM | ||
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM |