"Liberate" by Roary was released on September 6, 2019. The duration of Liberate is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Liberate's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Liberate and no other songs are present in the album, we classify this track as a single. Based on our statistics, Liberate's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Liberate by Roary to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keep Me Alive | RocknStock | D♭ Major | 5 | 3B | 81 BPM | ||
Chaos at the Spaceship | Out of Flux | B♭ Minor | 7 | 3A | 126 BPM | ||
Halcyon | Roary | E Major | 1 | 12B | 83 BPM | ||
We Are Justice | Gabriel Saban | A Major | 6 | 11B | 126 BPM | ||
Countdown to Apocalypse | Soundridemusic | D♭ Major | 4 | 3B | 110 BPM | ||
Up to the Sky | Roman P | G Major | 5 | 9B | 95 BPM | ||
Rebound | Qube | D♭ Major | 8 | 3B | 152 BPM | ||
Before the Dawn | Judah Earl | E♭ Minor | 2 | 2A | 75 BPM | ||
Yesterday Has Yet To Come | Clemens Ruh | G Major | 5 | 9B | 120 BPM | ||
Aftershock | David A. Molina | B Minor | 7 | 10A | 90 BPM |