Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker, William Shimell made "Don Giovanni, K. 527, Act II Scene 5: L'ultima prova dell'amor mio (Donna Elvira, Don Giovanni, Leporello)" available on October 11, 1991. The duration of Don Giovanni, K. 527, Act II Scene 5: L'ultima prova dell'amor mio (Donna Elvira, Don Giovanni, Leporello) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Don Giovanni, K. 527, Act II Scene 5: L'ultima prova dell'amor mio (Donna Elvira, Don Giovanni, Leporello)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 65 out of 70 in Don Giovanni by Wolfgang Amadeus Mozart, Wiener Philharmoniker, Riccardo Muti. In terms of popularity, Don Giovanni, K. 527, Act II Scene 5: L'ultima prova dell'amor mio (Donna Elvira, Don Giovanni, Leporello) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Don Giovanni, K. 527, Act II Scene 5: L'ultima prova dell'amor mio (Donna Elvira, Don Giovanni, Leporello) by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker, William Shimell is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 113 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM |