Luigi Legnani, Tariq Harb's '36 Caprices, Op. 20: No. 18 in F Minor' came out on November 20, 2021. The duration of 36 Caprices, Op. 20: No. 18 in F Minor is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. 36 Caprices, Op. 20: No. 18 in F Minor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Luigi Legnani, Tariq Harb's "Harb Plays Legnani Caprices" album is number 18 out of 36. On top of that, United States appears to be the country where this track was created. The popularity of 36 Caprices, Op. 20: No. 18 in F Minor is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 36 Caprices, Op. 20: No. 18 in F Minor by Luigi Legnani, Tariq Harb to be Prestissimo (even faster than presto) because the track has a tempo of 202 テンポ, a half-time of 101テンポ, and a double-time of 404 テンポ. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ana Florencia | Antonio Lauro, Victor Villadangos | E Major | 0 | 12B | 94 BPM | ||
Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | A Major | 0 | 11B | 108 BPM | ||
Verano Porteño | Stephanie Jones | C Major | 1 | 8B | 117 BPM | ||
Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: VI. Gigue | Robert de Visée, Thibaut García | A Minor | 1 | 8A | 179 BPM | ||
Recuerdos de la Alhambra : Recuerdos de la Alhambra | Norbert Kraft | A Major | 1 | 11B | 75 BPM | ||
Suite del recuerdo: Carnavalito - Evocacion - Joropo | Jose Luis Merlin, Jason Vieaux | B Minor | 2 | 10A | 98 BPM | ||
Koyunbaba, Op. 19: II. Mosso | Carlo Domeniconi, Celil Refik Kaya | D♭ Minor | 1 | 12A | 107 BPM | ||
Sevilla | Isaac Albéniz, Simon Dinnigan | G Major | 1 | 9B | 108 BPM | ||
Pavane pour une infante défunte, M. 19 (Arr. Dyens) | Maurice Ravel, Kaori Muraji | G Major | 0 | 9B | 103 BPM |