Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Sandrine Piau, Ton Koopman made "Ich will den Kreuzstab gerne tragen " BMV 56: Aria (Bass) : Endlich wird mein Joch"" available on March 7, 2007. Since Ich will den Kreuzstab gerne tragen " BMV 56: Aria (Bass) : Endlich wird mein Joch" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Ton Koopman's "J.S. Bach: Cantatas Vol. 17" album is number 16 out of 63. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Ich will den Kreuzstab gerne tragen " BMV 56: Aria (Bass) : Endlich wird mein Joch"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ich will den Kreuzstab gerne tragen " BMV 56: Aria (Bass) : Endlich wird mein Joch" by Johann Sebastian Bach, Amsterdam Baroque Orchestra & Choir, Sandrine Piau, Ton Koopman to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude | Anonymous , Johann Sebastian Bach, Daxun Zhang | B Minor | 1 | 10A | 135 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 3. Allegro (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Minor | 4 | 5A | 111 BPM |