Asphixiation made "Aural Risk" available on December 18, 1981. The duration of Aural Risk is about 3 minutes long, at 3:19. Based on our data, "Aural Risk" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in "What Is This Thing Called 'Disco'?", so we believe that "Aural Risk" is a single. In terms of popularity, Aural Risk is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Aural Risk by Asphixiation is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jessica | Nonobstant | F♯ Minor | 9 | 11A | 151 BPM | ||
October (Love Song) | Chris & Cosey | C Major | 7 | 8B | 127 BPM | ||
My Strange World | Martin Rev | F♯ Major | 6 | 2B | 128 BPM | ||
Minus Pillow | Beak> | A♭ Major | 8 | 4B | 126 BPM | ||
Boezem Ballet | Hessel Veldman | F♯ Major | 5 | 2B | 202 BPM | ||
I See Stars | Supersempfft | B Minor | 6 | 10A | 113 BPM | ||
Rastakraut Pasta | Moebius, Plank | A Major | 6 | 11B | 80 BPM | ||
Pain of Pride | Pink Industry | G Major | 9 | 9B | 111 BPM | ||
Jim on the Move | Lizzy Mercier Descloux | F♯ Minor | 7 | 11A | 130 BPM | ||
#5 (Go Bang) | Dinosaur L | B♭ Major | 9 | 6B | 130 BPM |