"Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do" by James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton was released on August 1, 2005. Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in James MacMillan, Polyphony, Stephen Layton's "MacMillan: Seven Last Words from the Cross" album is number 1 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do by James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Uti vår hage | Hugo Alfvén, Simon Phipps, Swedish Chamber Choir | A Minor | 3 | 8A | 100 BPM | ||
Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
The Bluebird | Charles Villiers Stanford, The Choral Project | B Major | 0 | 1B | 91 BPM | ||
Ave Verum Corpus, K. 618 | The Cathedral Singers, Thomas Yang, Katherine Hughes, Elizabeth Holzman, Richard Yeo, Collins Trier, Aaron David Miller | D Major | 1 | 10B | 93 BPM | ||
Missa Popularis: V. Agnus Dei | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | B Minor | 1 | 10A | 139 BPM | ||
Missa ‘De Angelis’: II. Gloria | Claudio Dall'Albero, The Choir of Sidney Sussex College, Cambridge, David Skinner | E♭ Major | 1 | 5B | 99 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM |