"Les Sirènes, Op.154" by Émile Waldteufel, Vienna Volksoper Orchestra, Franz Bauer-Theussl was released on June 11, 1982. Since Les Sirènes, Op.154 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Waldteufel: Waltzes by Émile Waldteufel, Vienna Volksoper Orchestra, Franz Bauer-Theussl. The song's track number on the album is #4 out of 7 tracks. The popularity of Les Sirènes, Op.154 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Les Sirènes, Op.154 by Émile Waldteufel, Vienna Volksoper Orchestra, Franz Bauer-Theussl has a tempo of 188 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Les Sirènes, Op.154 being at 188 テンポ, the half-time would be 94 テンポ with a double-time of 376 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut For August Bournonville, Galop (1869) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 3 | 10B | 161 BPM | ||
Vaughan Williams: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 1 | 5A | 89 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Les Sourires, Op. 187 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 2 | 10B | 187 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Fatinitza: March | Franz von Suppé, Slovak Philharmonic, Richard Hayman | A♭ Minor | 6 | 1A | 170 BPM | ||
Over the Waves | Хувентино Росас, Nikolai Nazarov, Отдельный показательный оркестр Министерства обороны СССР | F Major | 1 | 7B | 106 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM |