"Simon Bore the Cross: VI. Walkin' to Calvary" by Margaret Bonds, Langston Hughes, Malcolm J. Merriweather, The Dessoff Choirs, Janinah Burnett, The Dessoff Orchestra was released on February 3, 2023. Since Simon Bore the Cross: VI. Walkin' to Calvary is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Margaret Bonds, The Dessoff Choirs, Janinah Burnett, Dashon Burton, Malcolm J. Merriweather, The Dessoff Orchestra's "Margaret Bonds: Credo; Simon Bore the Cross" album is number 13 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Simon Bore the Cross: VI. Walkin' to Calvary is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Simon Bore the Cross: VI. Walkin' to Calvary by Margaret Bonds, Langston Hughes, Malcolm J. Merriweather, The Dessoff Choirs, Janinah Burnett, The Dessoff Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 73 BPM | ||
Symphony No. 4 in F Minor, Op. 36: III. Scherzo: Pizzicato ostinato | Pyotr Ilyich Tchaikovsky, Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 148 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Variations on an Original Theme, Op. 36, Enigma: Theme Andante | Edward Elgar, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Minor | 2 | 3A | 172 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | B♭ Major | 0 | 6B | 78 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
41 Klavierstücke, Op. 93: No. 22 Andante | The Gerst Ensemble | D Major | 0 | 10B | 77 BPM | ||
Serenade for Strings in E Major, Op. 22: I. Moderato | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Petr Nouzovský, Stanislav Vavřínek | D Major | 9 | 10B | 167 BPM | ||
Aubade, FP 51a: VIII. Andante. Variation de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | E Major | 0 | 12B | 178 BPM |