Georges Bizet, London Symphony Orchestra, Claudio Abbado's 'Carmen, WD 31: Entracte (Between Act II & III)' came out on January 1, 1978. The duration of Carmen, WD 31: Entracte (Between Act II & III) is about 3 minutes long, at 3:00. Based on our data, "Carmen, WD 31: Entracte (Between Act II & III)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 49 in Bizet: Carmen by Georges Bizet, Teresa Berganza, Plácido Domingo, Ileana Cotrubas, Sherrill Milnes, Ambrosian Singers, London Symphony Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen, WD 31: Entracte (Between Act II & III) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, WD 31: Entracte (Between Act II & III) by Georges Bizet, London Symphony Orchestra, Claudio Abbado is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Meeresstille und glückliche Fahrt, Op. 27, MWV P5 | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Carmen, WD 31, Act III: Dialogue. Nous y sommes | Georges Bizet, Jean Lainé, Ileana Cotrubas, London Symphony Orchestra, Claudio Abbado | F Major | 1 | 7B | 63 BPM | ||
Scheherazade, Op. 35: The Young Prince And The Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 84 BPM | ||
Rigoletto / Act 2: "Cortigiani, vil razza dannata...Ebben piango" | Giuseppe Verdi, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 85 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
Eine kleine Nachtmusik in G major, K 525: I. Allegro | London Symphony Orchestra | G Major | 1 | 9B | 137 BPM | ||
Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
"In The Hall Of The Mountain King" from Peer Gynt Suite N°1, Op. 46 | London Symphony Orchestra | G Major | 1 | 9B | 112 BPM |