"Concerto for Piano and Orchestra in E Minor: No. 3, Allegro giusto" by Vítězslav Novák, Prague Radio Symphony Orchestra, Jakub Hrůša, Jan Bartoš had its release date on September 11, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Novák: Piano Concerto, Toman and the Wood Nymph". In this album, this song's track order is #3. Concerto for Piano and Orchestra in E Minor: No. 3, Allegro giusto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Piano and Orchestra in E Minor: No. 3, Allegro giusto by Vítězslav Novák, Prague Radio Symphony Orchestra, Jakub Hrůša, Jan Bartoš having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Op. 61: No. 9, Hochzeitsmarsch. Allegro vivace | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Les animaux modèles Suite, FP 111: II. Le lion amoureux | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | E Minor | 3 | 9A | 86 BPM | ||
Zanetta, S. 33 (Excerpts): Act III Entr'acte | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | A♭ Major | 2 | 4B | 110 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM | ||
Symphony No. 4 in A Minor, Op. 63: IV. Allegro | Jean Sibelius, Gothenburg Symphony Orchestra, Santtu-Matias Rouvali | D♭ Minor | 1 | 12A | 88 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Variations on an Original Theme Enigma, Op. 36: VII. Variation Vi - Ysobel | Edward Elgar, Orchestra Filarmonica della Calabria, Giovanni Sollima, Filippo Arlia | G Major | 3 | 9B | 135 BPM | ||
Cello Concerto No. 2, W516: II. Molto andante cantabile | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E Minor | 1 | 9A | 83 BPM | ||
スロヴァキア組曲, 作品 32: 5. 夜に | Vítězslav Novák, Zdenek Macal, Czech Philharmonic Orchestra | D Major | 1 | 10B | 102 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM |