"Trinity" by Georges Ivanovitch Gurdjieff, Mario Sollazzo was released on January 9, 2015. The duration of Trinity is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Trinity's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Georges Ivanovitch Gurdjieff, Mario Sollazzo's "Gurdjieff De Hartmann: Echoes from the Real World" album is number 14 out of 21. Trinity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trinity by Georges Ivanovitch Gurdjieff, Mario Sollazzo to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Always | The EP, Jane Schiele | D♭ Major | 1 | 3B | 70 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
How We Danced - Solo Piano Version | Rosey Chan | A Minor | 0 | 8A | 67 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Wild Swans Suite: II. Eliza Aria (Arr. for Piano) | Lang Lang | F Major | 2 | 7B | 80 BPM | ||
Les Indes galantes: Musette (arr. I. Friedman for piano) | Ignaz Friedman, Jean-Philippe Rameau, Joseph Banowetz | G Major | 0 | 9B | 152 BPM | ||
Prelude in D Major | Chad Lawson | A Major | 1 | 11B | 74 BPM | ||
Berceuse, Op. 3 No. 2 (Version for Piano) | Alexander Spendiarov, Mikael Ayrapetyan | A♭ Major | 0 | 4B | 129 BPM | ||
David Melrose Theme | Hauschka | D Minor | 0 | 7A | 148 BPM | ||
Frozen River Flows | Dobrinka Tabakova, Roman Mints, Raimondas Sviackevičius, Donatas Bagurskas | E♭ Major | 0 | 5B | 135 BPM |