Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana's 'Concerto Grosso In C Major, Op. 6, No. 10: III. Adagio' came out on May 22, 1991. With Concerto Grosso In C Major, Op. 6, No. 10: III. Adagio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 21 out of 35 in Concerto Grossos Op. 6, Nos. 7-12 by Arcangelo Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Concerto Grosso In C Major, Op. 6, No. 10: III. Adagio is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto Grosso In C Major, Op. 6, No. 10: III. Adagio by Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Recorder Sonata No. 11 in A Minor: I. Largo | Domenico Sarro, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Sonata a quattro in D Major a Tromba Sola, Due Violini e Basso, WoO 4: IV. (Spirituoso) | Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, David Van Ooijen, Pieter-Jan Belder, William Wroth | G Major | 1 | 9B | 114 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: IV. Allegro, ma non troppo | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | D Minor | 2 | 7A | 134 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo: Molto allegro | Ludwig van Beethoven, Stefan Vladar, Capella Istropolitana, Barry Wordsworth | B♭ Major | 1 | 6B | 175 BPM | ||
Concerto Grosso In F Major, Op. 3, No. 7, RV 567: III. Allegro - Adagio | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Concerto in D Minor; Op. 6 No. 5: IV. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 4 | 12A | 100 BPM | ||
Concerto for 2 Oboes in D Major, Op. 7, No. 8: III. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D Major | 1 | 10B | 136 BPM | ||
Ottone, re di Germania, HWV 15: Overture: I. Maestoso | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | E♭ Major | 1 | 5B | 78 BPM |