"Die mit Tranen saen" by Johann Hermann Schein, Dresdner Kammerchor, Hans-Christoph Rademann was released on August 7, 2012. The duration of Die mit Tranen saen is about 3 minutes long, at 3:26. Based on our data, "Die mit Tranen saen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Schein: Israelsbrunnlein". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Die mit Tranen saen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die mit Tranen saen by Johann Hermann Schein, Dresdner Kammerchor, Hans-Christoph Rademann having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Mass for 5 Voices, T. 3: IIb. Domine Deus, Agnus Dei | William Byrd, Owain Park, The Gesualdo Six | B Minor | 1 | 10A | 103 BPM | ||
Res aequa confiteri | Paul Siefert, Cappella Gedanensis | D Minor | 2 | 7A | 63 BPM | ||
Galliard, "Heigh Ho Holiday" | Anthony Holborne, Matthias Höfs, Matthias Janz | C Major | 1 | 8B | 121 BPM | ||
Byrd: Miserere a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 90 BPM | ||
Courtly Masquing Ayres: No. 4 | John Adson, The Prague Brass Soloists | D Major | 1 | 10B | 93 BPM | ||
Membra Jesu nostri, BuxWV 75: IVa. Ad latus: Surge, amica | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Maundy Thursday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Damien Guillon, Collegium Marianum | E Major | 0 | 12B | 123 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM |