"Bachianas brasileiras No. 9: I. Prelude: Vagaroso e mistico" by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn was released on November 15, 2005. The duration of Bachianas brasileiras No. 9: I. Prelude: Vagaroso e mistico is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Bachianas brasileiras No. 9: I. Prelude: Vagaroso e mistico's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #9 out of 29 tracks. Bachianas brasileiras No. 9: I. Prelude: Vagaroso e mistico is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas brasileiras No. 9: I. Prelude: Vagaroso e mistico by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas brasileiras No. 9: I. Prelude: Vagaroso e mistico being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Oboe And Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | E Minor | 2 | 9A | 91 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Khovanshchina: Dance of the Persian Slaves | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker | G Major | 0 | 9B | 82 BPM | ||
Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 4. Rondes printanières | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 61 BPM | ||
Toccata | Ignaz Friedman, Johann Sebastian Bach, Roberto Cominati | D Major | 1 | 10B | 114 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 109 BPM | ||
7 Paulistanas: Paulistana No. 1 | Claudio Santoro, Arnaldo Cohen | D♭ Major | 0 | 3B | 78 BPM | ||
Piano Trio No. 1 in B Major, Op. 8: II. Scherzo - Allegro molto | Johannes Brahms, Vienna Piano Trio | B Major | 1 | 1B | 160 BPM | ||
Piano Sonata No. 3 in B Minor, Op. 58: III. Largo | Frédéric Chopin, Mitsuko Uchida | D♭ Major | 0 | 3B | 71 BPM | ||
24 Préludes, Op. 28: 3. In G Major | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 124 BPM |