Robert Stark, Deutsches Horn Ensemble's 'Serenade for Four Horns in E-Flat Major, Op. 42: III. Canzonetta' came out on April 7, 2017. With Serenade for Four Horns in E-Flat Major, Op. 42: III. Canzonetta being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Salut à la forêt". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Germany. Serenade for Four Horns in E-Flat Major, Op. 42: III. Canzonetta is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade for Four Horns in E-Flat Major, Op. 42: III. Canzonetta by Robert Stark, Deutsches Horn Ensemble having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 6, Progrès | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Glosada LXVI | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 90 BPM | ||
Suite: V. Intrada No. 2 | Thomas Simpson, The Prague Brass Soloists | C Major | 1 | 8B | 85 BPM | ||
Cello Sonata in F Major, Op. 1, No. 1 (arr. D. Little and R. Nelson): IV. Allegro | Benedetto Marcello, Richard Nelson, Donald Little, David Zerkel, Paolo Andre Gualdi | F Major | 0 | 7B | 94 BPM | ||
March from Symphonic Metamorfosis IV | Paul Hindemith, Göteborg Wind Orchestra, Christian Lindberg | B♭ Major | 3 | 6B | 72 BPM | ||
Six Studies in English Folk Song: No. 6, Allegro vivace | Joseph Bartz | F Minor | 0 | 4A | 72 BPM | ||
La Mezquita II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | A♭ Major | 7 | 4B | 150 BPM | ||
3 Morceaux, Op. 15 (arr. for brass ensemble by Jarle Storløkken): I. Serenade | Agathe Backer Grøndahl, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Oboe Sextet No. 1 in B-Flat Major, L. 273: III. Finale. Allegretto | Cayetano Brunetti, Il Maniatico Ensemble, Robert Silla, Luis María Suárez, Pablo Martín, Sandra García, Silvina Álvarez, Carla Sanfélix | B♭ Major | 2 | 6B | 140 BPM | ||
Six Studies in English Folk Song: No. 2, Andante sostenuto | Joseph Bartz | F Minor | 0 | 4A | 72 BPM |