Igor Stravinsky, Yvonne Loriod, Orchestre Des Cento Soli, Rudolf Albert's 'Petrouchka / Tableau I: Fête populaire de la semaine grasse' came out on January 1, 2006. Since Petrouchka / Tableau I: Fête populaire de la semaine grasse is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 29 in the song's album "Stravinski: Pétrouchka-Le sacre du printemps". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Petrouchka / Tableau I: Fête populaire de la semaine grasse is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petrouchka / Tableau I: Fête populaire de la semaine grasse by Igor Stravinsky, Yvonne Loriod, Orchestre Des Cento Soli, Rudolf Albert having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Concerto For Orchestra, Sz. 116: 5. Finale (Pesante - Presto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 2 | 4B | 127 BPM | ||
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: III. Allegro, ma non troppo | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 2 | 8B | 103 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Francesca da Rimini, Op. 25: Scene II: Moderato | Sergei Rachmaninoff, Mariana Zvetkova, Boiko Zvetanov, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM | ||
The Soldier's Tale: Part 2: The Devil's Dance | Igor Stravinsky, Michael Henry Flanders, Kitty Black, Jeremy Irons, Robert Craft | G Major | 3 | 9B | 133 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Three Movements from Petrushka: I. Russian Dance | Igor Stravinsky, Khatia Buniatishvili | G Major | 3 | 9B | 125 BPM | ||
Symphony No.9 In D / 1. Satz: Andante comodo | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 172 BPM | ||
Slovak Suite, Op. 32: III. The Lovers. Andante quasi allegretto | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | E♭ Major | 0 | 5B | 76 BPM |