"Flavio Crispo, Act I: Che mia man porti la fede" by Johann David Heinichen, Il Gusto Barocco, Unknown Artist, Jörg Halubek was released on March 15, 2019. The duration of Flavio Crispo, Act I: Che mia man porti la fede is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Flavio Crispo, Act I: Che mia man porti la fede's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann David Heinichen, Il Gusto Barocco, Jörg Halubek's "Heinichen: Flavio Crispo" album is number 26 out of 74. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Flavio Crispo, Act I: Che mia man porti la fede is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Flavio Crispo, Act I: Che mia man porti la fede by Johann David Heinichen, Il Gusto Barocco, Unknown Artist, Jörg Halubek to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
Sinfonia di concerto grosso No. 6 in A Minor: V. Allegro | Alessandro Scarlatti, Accademia Della Magnifica Comunità, Enrico Casazza | A♭ Minor | 2 | 1A | 117 BPM | ||
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
Concerto In D Major, Op.26, No.6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
Keyboard Concerto No. 2 in A Major, BR JCFB C 30a; Warb YC 91 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): III. Allegro (Cadenza: Mayer) | Albrecht Mayer, Johann Christoph Friedrich Bach, Berliner Barock Solisten | B♭ Major | 2 | 6B | 129 BPM | ||
Bassoon Concerto in E Minor, RV 484: II. Andante | Antonio Vivaldi, Sergio Azzolini, L'aura Soave Cremona | G Major | 1 | 9B | 115 BPM | ||
Concerto in C major Seibel 211: 4. Allegro assai | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 0 | 2B | 117 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 91 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM |