Ludwig van Beethoven, John Ogdon's 'Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"' came out on June 16, 2008. The duration of Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Pure Classical". In this album, this song's track order is #4. Based on our statistics, Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" by Ludwig van Beethoven, John Ogdon having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Mass in C Major, Op. 86: II. Gloria | Ludwig van Beethoven, Kaisa Ranta, Niina Keitel, Topi Lehtipuu, Nicholas Söderlund, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra, Leif Segerstam | C Major | 3 | 8B | 104 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM |