Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel Dayez's 'Trio n°3, Op. 1: II. Andante cantabile con variazoni' came out on March 24, 2017. Since Trio n°3, Op. 1: II. Andante cantabile con variazoni is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 13 in Beethoven (Piano trios opus 1) by Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Trio n°3, Op. 1: II. Andante cantabile con variazoni is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Trio n°3, Op. 1: II. Andante cantabile con variazoni by Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel Dayez is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: No. 22 in G Minor | Alexander Scriabin, Evgeny Zarafiants | G Minor | 0 | 6A | 72 BPM | ||
Liadov : 3 Preludes Op.57 : No.1 in D flat major | Anatoly Lyadov, Boris Berezovsky | D♭ Major | 0 | 3B | 80 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Vocalise - Étude (en forme de habañera) | Maurice Ravel, Mischa Maisky, Daria Hovora | C Minor | 0 | 5A | 91 BPM | ||
Bruch: Violin Concerto No. 3 in D Minor, Op. 58: II. Adagio | Max Bruch, Chloë Hanslip, Martyn Brabbins, London Symphony Orchestra | F Major | 1 | 7B | 144 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb, 2, Op. 101: II. Adagio | Franz Joseph Haydn, Jacqueline du Pré, Sir John Barbirolli, London Symphony Orchestra | A Major | 2 | 11B | 91 BPM | ||
24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major | Dmitri Shostakovich, Tatiana Nikolayeva | A Major | 0 | 11B | 85 BPM | ||
Tema e Variazioni in Mi Maggiore "Per la Granduchessa di Parma", MS 79 | Niccolò Paganini, Guido Rimonda, Camerata Ducale | F♯ Minor | 1 | 11A | 76 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM |