Benjamin Britten, Trevor Anthony, Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus Of Animals, The English Opera Group Orchestra, Merlin Channon, Norman Del Mar's 'Noye's Fludde, Op. 59: "Noye, Noye, Take Thou Thy Company"' came out on January 1, 1993. Noye's Fludde, Op. 59: "Noye, Noye, Take Thou Thy Company" is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 5 out of 15 in Britten: Noye's Fludde; The Golden Vanity by Benjamin Britten, Owen Brannigan, Sheila Rex, The English Opera Group Orchestra, Wandsworth School Boys Choir, Russell Burgess, Norman Del Mar. In terms of popularity, Noye's Fludde, Op. 59: "Noye, Noye, Take Thou Thy Company" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Noye's Fludde, Op. 59: "Noye, Noye, Take Thou Thy Company" by Benjamin Britten, Trevor Anthony, Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus Of Animals, The English Opera Group Orchestra, Merlin Channon, Norman Del Mar is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fille aux cheveux de lin, L. 117, No. 8 | Claude Debussy, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | G Major | 1 | 9B | 63 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
None But the Lonely Heart, Op. 6 No. 6 | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Oleg Boshniakovich | D♭ Major | 0 | 3B | 93 BPM | ||
Tristan und Isolde (1988 Digital Remaster), Act III, Scene III: Mild und leise wie er lächelt (Isoldes Liebestod) | Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 176 BPM | ||
A Child of our Time, Part II: A Spiritual. O! by and by (Soprano, Chorus) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | N/A | N/A | N/A | 0 BPM | ||
Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | F Major | 2 | 7B | 111 BPM | ||
Requiem, K. 626. Confutatis | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Laszlo Heltay | D Minor | 0 | 7A | 74 BPM | ||
La Rondine: Chi il bel sogno di Doretta | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | F Major | 2 | 7B | 77 BPM | ||
War Requiem, Op. 66 / Requiem aeternam: Ia. Requiem aeternam | Benjamin Britten, London Symphony Chorus, The Bach Choir, Highgate School Choir, Melos Ensemble, Simon Preston, London Symphony Orchestra | A Minor | 0 | 8A | 79 BPM | ||
Carnival of the Animals: No. 7: Aquarium | Camille Saint-Saëns, Stanislav Gorkovenko, St. Petersburg Radio & TV Symphony Orchestra | A Minor | 1 | 8A | 142 BPM |