Francesco Cavalli, Carlo Vistoli, Ensemble Sezione Aurea, Filippo Pantieri's 'Gli amori di Apollo e Dafne, Act III Scene 3: IV. A te ricorro, onnipotente Amore' came out on April 24, 2020. With Gli amori di Apollo e Dafne, Act III Scene 3: IV. A te ricorro, onnipotente Amore being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 20 in Amor tiranno. Broken-hearted Lovers in Seventeenth-Century Venice by Carlo Vistoli, Sezione Aurea, Filippo Pantieri. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Gli amori di Apollo e Dafne, Act III Scene 3: IV. A te ricorro, onnipotente Amore is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gli amori di Apollo e Dafne, Act III Scene 3: IV. A te ricorro, onnipotente Amore by Francesco Cavalli, Carlo Vistoli, Ensemble Sezione Aurea, Filippo Pantieri is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
Le Concert royal de la Nuit, Grand Ballet, Le Soleil: Les Planètes, Cosí un giorno avverrà con più diletto" (Duo d'Ercole, la Bellezza) | Francesco Cavalli, Marie-Frédérique Girod, Renaud Brès, Ensemble Correspondances, Sébastien Daucé | G Minor | 2 | 6A | 109 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | C Minor | 0 | 5A | 148 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Rossi / Arr. Pluhar: L'Orfeo, Act 2: "Mio ben" (Eurydice) | Luigi Rossi, Christina Pluhar, Véronique Gens | D Minor | 1 | 7A | 119 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: V. Chaconne | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 94 BPM |