Johannes Brahms, Yo-Yo Ma's 'Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto' came out on 1992. With this song being about 5 minutes long, at 4:37, "Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto" by Johannes Brahms, Yo-Yo Ma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 11 in Brahms: Sonatas for Cello & Piano, Opp. 38, 99 and 108 by Johannes Brahms, Yo-Yo Ma, Emanuel Ax. Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto by Johannes Brahms, Yo-Yo Ma is Larghetto (rather broadly), since this song has a tempo of 63 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
Violin Sonata No. 1 in A Major, Op. 13: I. Allegro molto | Gabriel Fauré, Yo-Yo Ma, Kathryn Stott | A Major | 1 | 11B | 136 BPM | ||
Elgar: Romance for Bassoon in D Minor, Op. 62 (Arr. for Cello and Orchestra) | Edward Elgar, Natalie Clein, Vernon Handley, Royal Liverpool Philharmonic Orchestra | E Minor | 0 | 9A | 71 BPM | ||
Piano Trio No. 3 in C Minor, Op. 101: II. Presto non assai | Johannes Brahms, Trio Sōra | F Minor | 0 | 4A | 106 BPM | ||
Sonata No. 2, Op. 36: II. Non Allegro | Hélène Grimaud | E Minor | 0 | 9A | 68 BPM | ||
King Gesar: Pt. 7, Gesar's Song of Completion | Peter Lieberson | F Major | 1 | 7B | 95 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Minor | 1 | 7A | 108 BPM | ||
Elégie for Cello and Piano, Op. 24 | Gabriel Fauré, Steven Isserlis | G Minor | 0 | 6A | 75 BPM | ||
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | D Major | 1 | 10B | 81 BPM | ||
Piano Trio No. 3 in F Minor, Op. 65, B. 130: III. Poco adagio | Antonín Dvořák, Emanuel Ax, Young Uck Kim, Yo-Yo Ma | A♭ Major | 0 | 4B | 70 BPM |