On July 5, 2011, the song "Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): II. Allegro" was released by Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber. The duration of Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): II. Allegro is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi (Dallapiccola): Cellosonaten by Antonio Vivaldi, Martin Rummel. The song's track number on the album is #2 out of 48 tracks. In terms of popularity, Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): II. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): II. Allegro by Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): II. Allegro being at 95 テンポ, the half-time would be 48 テンポ with a double-time of 190 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: No. 9 in E Minor (Arr. J. Barralet for Cello and Piano) | Johannes Brahms, James Barralet, Simon Callaghan | B Minor | 0 | 10A | 108 BPM | ||
Trois petites pièces: Chanson | Augusta Holmès, Juliette Hurel, Hélène Couvert | D Major | 0 | 10B | 70 BPM | ||
Fantasia for Cello & Orchestra, W454: II. Molto vivace | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | G Minor | 1 | 6A | 105 BPM | ||
Nursery rhyme: Hold on, I'm coming for you | Shiuan Chang, Evan Wong | C Minor | 2 | 5A | 73 BPM | ||
Sapho: Solitude | Jules Massenet, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Cirandas, W220: No. 16, Có-Có-Có | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM |