Franz Joseph Haydn, Kurt Moll, Berliner Philharmoniker, James Levine made "Die Schöpfung Hob. XXI:2 / Erster Teil: 5. Rezitativ: Und Gott sprach: Es sammle sich das Wasser" available on January 1, 1991. With Die Schöpfung Hob. XXI:2 / Erster Teil: 5. Rezitativ: Und Gott sprach: Es sammle sich das Wasser being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 5 out of 34. On top of that, Germany appears to be the country where this track was created. Die Schöpfung Hob. XXI:2 / Erster Teil: 5. Rezitativ: Und Gott sprach: Es sammle sich das Wasser is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Erster Teil: 5. Rezitativ: Und Gott sprach: Es sammle sich das Wasser by Franz Joseph Haydn, Kurt Moll, Berliner Philharmoniker, James Levine to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Violin Concerto No. 23 in G Major, G. 98: II. Andante | Giovanni Battista Viotti, Mauro Ranieri, Accademia I Filarmonici, Aldo Sisillo | E Major | 0 | 12B | 74 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Adagio, Theme and Variations in F for Oboe and Orchestra, Op. 102: III. Variation 1 | Johann Nepomuk Hummel, Diana Doherty, Werner Andreas Albert, Queensland Symphony Orchestra | F Major | 0 | 7B | 74 BPM | ||
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: II. Andante | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | B Major | 0 | 1B | 179 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM |