Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich made "Swan Lake (Suite), Op. 20a, TH. 219: III. Danse des petits cygnes" available on January 1, 1996. With Swan Lake (Suite), Op. 20a, TH. 219: III. Danse des petits cygnes being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Tchaikovsky: Ballet Suites". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Swan Lake (Suite), Op. 20a, TH. 219: III. Danse des petits cygnes is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Swan Lake (Suite), Op. 20a, TH. 219: III. Danse des petits cygnes by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rockin' Around the Christmas Tree | Henry Smith | A♭ Major | 0 | 4B | 96 BPM | ||
Symphony No.3 In E Flat, Op.55 -"Eroica": 3. Scherzo (Allegro vivace) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 163 BPM | ||
Waltz from Sleeping Beauty, Op. 66 | London Symphony Orchestra | B♭ Major | 2 | 6B | 65 BPM | ||
The Nutcracker, Op. 71: Overture | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Major | 0 | 6B | 117 BPM | ||
L'Arlésienne Suite No.2: Pastorale | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 80 BPM | ||
Cascanueces suite, Op. 71a: No. 4, Danza rusa (Trepak) | Orquesta Filarmonica de Alemania, Wilèm Oderich | G Major | 5 | 9B | 146 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
Berlioz: L'Enfance du Christ, Op. 25, H. 130, Pt. 2: No. 8, Adieu des bergers à la Sainte-Famille, "Il s'en va loin de la terre" (Les Bergers) | Hector Berlioz, Choeurs Rene Duclos, Orchestre De La Société Des Concerts Du Conservatoire, André Cluytens | D Major | 0 | 10B | 115 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM |