Wolfgang Amadeus Mozart, Katharina Konradi, Sarah Romberger, Martin Mitterrutzner, Mikhail Timoshenko, WDR Rundfunkchor Köln, Kolner Kammerorchester, Christoph Poppen's 'Missa brevis No. 11 in C Major, K. 258 "Spaur": I. Kyrie' came out on November 18, 2022. With Missa brevis No. 11 in C Major, K. 258 "Spaur": I. Kyrie being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, WDR Rundfunkchor Köln, Kolner Kammerorchester, Christoph Poppen's "Mozart: Complete Masses, Vol. 2" album is number 14 out of 19. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Missa brevis No. 11 in C Major, K. 258 "Spaur": I. Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa brevis No. 11 in C Major, K. 258 "Spaur": I. Kyrie by Wolfgang Amadeus Mozart, Katharina Konradi, Sarah Romberger, Martin Mitterrutzner, Mikhail Timoshenko, WDR Rundfunkchor Köln, Kolner Kammerorchester, Christoph Poppen to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": II. Gloria. Gloria in excelsis Deo | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir | F Major | 1 | 7B | 84 BPM | ||
Sinfonia Concertante in E-Flat Major, KV 364: III. Presto (Cadenzas by W. A. Mozart) | Wolfgang Amadeus Mozart, Mozarteum Orchestra Salzburg, Howard Griffiths, Johan Dalene, Eivind Ringstad | E♭ Major | 2 | 5B | 78 BPM | ||
Misatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terra | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Minor | 2 | 6A | 70 BPM | ||
Divertimento No. 6, Kv 439b (Kv Anhang 229): Rondo, Larghetto | Arts Music Recording, Rotterdam, Johan Steinmann, Henk De Graaf, Wolfgang Amadeus Mozart, Jan Jansen | D Major | 2 | 10B | 148 BPM | ||
Jakobín, Op. 84, Act I: Act I Scene 2: Jen postujme tu okamzeni (Chorus, Children's Chorus) | Antonín Dvořák, Prager Kammerchor, WDR Rundfunkchor Köln, Knaben des Kölner Domchores, SWR Symphonieorchester, Gerd Albrecht | D Major | 1 | 10B | 142 BPM | ||
Mass in C, K.317 "Coronation": 2. Gloria | Wolfgang Amadeus Mozart, Margaret Marshall, Ann Murray, Rogers Covey-Crump, David Wilson-Johnson, Choir of King's College, Cambridge, English Chamber Orchestra, Stephen Cleobury | C Major | 1 | 8B | 61 BPM | ||
Matthäuspassion, BWV 244: Chorale: O Mensch, bewein dein Sunde gross (Chorus I and II) | Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | B Minor | 2 | 10A | 103 BPM | ||
Simfonía concertant per a violí, viola i orquestra in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Orquestra De Cadaqués, Ludwig Mülller, Sir Neville Marriner, Caroline Harrison | C Minor | 0 | 5A | 88 BPM | ||
Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, William Stone, Dawn Upshaw, David Gordon | A Minor | 7 | 8A | 130 BPM | ||
Jakobín, Op. 84, Act II: Act II Scene 1: Serenade (Benda, Jiri, Terinka, Chorus, Children's Chorus) | Antonín Dvořák, Knaben des Kölner Domchores, WDR Rundfunkchor Köln, SWR Symphonieorchester, Michal Lehotsky, Eberhard Francesco Lorenz, Livia Aghova, Prager Kammerchor, Gerd Albrecht | G Major | 1 | 9B | 144 BPM |