Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf Zöbeley's 'Missa Sanctae Ursulae, MH 546: Et resurrexit (Soprano, Contralto, Tenor, Bass, Chorus)' had a release date set for September 29, 2009. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Hans Rudolf Zöbeley's "Haydn, M.: Missa Sanctae Ursulae / Mozart, W.A.: Ave Verum Corpus / Regina Coeli" album is number 5 out of 13. Based on our statistics, Missa Sanctae Ursulae, MH 546: Et resurrexit (Soprano, Contralto, Tenor, Bass, Chorus)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Missa Sanctae Ursulae, MH 546: Et resurrexit (Soprano, Contralto, Tenor, Bass, Chorus) by Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf Zöbeley to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Alleluia! Laudate pueri | Michael Haydn, Zurich Boys Choir, Ingrid Kasper, Munich Chamber Orchestra, Christoph Poppen | E Major | 1 | 12B | 69 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | A Major | 0 | 11B | 77 BPM | ||
Requiem No. 1 in C Minor: Agnus Dei | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 128 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM |