John Brunning, Elin Manahan Thomas, Daniel Grimwood's 'Swansongs: III. Father' came out on November 9, 2018. The duration of Swansongs: III. Father is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Swansongs: III. Father's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Brunning, Elin Manahan Thomas, Daniel Grimwood's "John Brunning: Swansongs, Songs of Remembrance" album is number 3 out of 4. On top of that, United Kingdom appears to be the country where this track was created. Swansongs: III. Father is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Swansongs: III. Father by John Brunning, Elin Manahan Thomas, Daniel Grimwood to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lied für Piano-Forte | Gertrude van den Bergh, Frans Van Ruth | E Major | 0 | 12B | 132 BPM | ||
14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM | ||
The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Lyrical Pieces, Op. 12: No. 1, Arietta | Edvard Grieg, Denis Kozhukhin | E♭ Major | 0 | 5B | 76 BPM | ||
Nyman: The Heart Asks Pleasure First | Michael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | A Minor | 1 | 8A | 108 BPM | ||
14 Romances, Op. 34: No. 1, The Muse (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E Minor | 1 | 9A | 86 BPM | ||
Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: II. Largo | Johann Sebastian Bach, Johan Ullén, Christian Svarfvar, London Philharmonic Orchestra | B♭ Major | 2 | 6B | 131 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |