"24 Preludes, Op. 17: No. 12. Meri (The Sea)" by Selim Palmgren, Risto Lauriala was released on December 31, 1997. The duration of 24 Preludes, Op. 17: No. 12. Meri (The Sea) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. 24 Preludes, Op. 17: No. 12. Meri (The Sea)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Suomalaisia klassisia suosikkisävelmiä pianolle". In this album, this song's track order is #8. 24 Preludes, Op. 17: No. 12. Meri (The Sea) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes, Op. 17: No. 12. Meri (The Sea) by Selim Palmgren, Risto Lauriala having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palmgren : Nocturne in Three Scenes Op.72 : II Night Song | Palmgren, Selim Palmgren, Izumi Tateno, Emiko Mizuki | E♭ Major | 0 | 5B | 85 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Transcr. Strauss & Rizikov for Cello and Piano) | Sergei Rachmaninoff, Lisa Strauss, Anastasia Rizikov | E♭ Major | 1 | 5B | 108 BPM | ||
6 Piano Pieces, Op. 47 "Spring": I. Ilta-aania (Dusk) | Selim Palmgren, Risto Lauriala | D♭ Major | 0 | 3B | 70 BPM | ||
Soirées Musicales, Op. 6: II. Notturno | Clara Schumann, David Quigley | F Major | 0 | 7B | 71 BPM | ||
Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM | ||
Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | ||
Miilunpolttaja (The Charcoal Burner) (arr. for baritone and orchestra) | Selim Palmgren, Kalevi Olli, Jorma Hynninen, Tampere Philharmonic Orchestra, Ulf Söderblom | B Minor | 1 | 10A | 85 BPM | ||
Ten Pieces, Op. 24: Romance, Op. 24: No. 2 | Jean Sibelius, Janne Mertanen | A♭ Major | 1 | 4B | 107 BPM | ||
Po zarostlém chodníčku - Series I: IV. Frýdecká panna Maria | Leoš Janáček, Gianluigi Daniele | D♭ Minor | 1 | 12A | 129 BPM | ||
Max | Anikata | A Major | 0 | 11B | 100 BPM |