"Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, John Eliot Gardiner, English Baroque Soloists was released on January 6, 2023. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 24 in Bach: Orchestral Suites, BWV 1066 - 1069 by Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air by Johann Sebastian Bach, John Eliot Gardiner, English Baroque Soloists is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Underneath the Stars | Herbert Spencer, Charlie Siem, Paul Goodwin | E♭ Major | 1 | 5B | 100 BPM | ||
Leclair: Scylla et Glaucus, Op. 11: Ouverture | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Major | 1 | 4B | 113 BPM | ||
Symphony No. 14 in D Major: I. Allegro assai | William Herschel, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 137 BPM | ||
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: I. Allegro di molto | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | E♭ Major | 2 | 5B | 138 BPM | ||
Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
String Quartet in F Major, Op. 3, No. 5, Hob.III:17, "Serenade" (attrib. to Hoffstetter): II. Serenade: Andante cantabile | Joseph Haydn, Kodály Quartet | C Major | 0 | 8B | 174 BPM | ||
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Symphony | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | D♭ Minor | 2 | 12A | 99 BPM | ||
II. Air | Berlin Chamber Orchestra, Helmut Koch | G Major | 2 | 9B | 172 BPM |