Symphony No. 1 in C Minor, Op. 11: II. Andante

Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner
Mendelssohn: Symphony No. 1, Symphony No. 4 "Italian"
6:31 2016年9月9日
テンポ
94
キー
D♭ Minor
キャメロットミュージックキー
12A

リンクを埋め込む

共有

Symphony No. 1 in C Minor, Op. 11: II. Andante - Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner 情報

音響性
95%
ダンサビリティ
39%
エネルギー
6%
手段性
86%
活気
9%
ラウドネス
63%
話し言葉
4%
価数
38%
人気
ラウドネス
-22.346 dB

まとめ

Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner's 'Symphony No. 1 in C Minor, Op. 11: II. Andante' came out on September 9, 2016. Since Symphony No. 1 in C Minor, Op. 11: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner's "Mendelssohn: Symphony No. 1, Symphony No. 4 "Italian"" album is number 2 out of 9. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Symphony No. 1 in C Minor, Op. 11: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 1 in C Minor, Op. 11: II. Andante テンポ

We consider the tempo marking of Symphony No. 1 in C Minor, Op. 11: II. Andante by Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.

Symphony No. 1 in C Minor, Op. 11: II. Andante キー

D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1060: I. AllegroCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor25A96 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana YablonskayaSchwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]Franz Liszt, Oxana YablonskayaD Major010B66 BPM
Violin Partita No. 3 in E Major, BWV 1006: II. Loure by Johann Sebastian Bach, Hilary HahnViolin Partita No. 3 in E Major, BWV 1006: II. LoureJohann Sebastian Bach, Hilary HahnD♭ Minor112A133 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoShéhérazade, Op. 35: I. The Sea and Sinbad's ShipNikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoE Major112B136 BPM
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings)Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars UpatnieksA Major111B99 BPM
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato by Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary UtigerConcerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccatoGeorg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary UtigerF♯ Major02B110 BPM
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major by Alexander Scriabin, Mikhail PletnevScriabin: 24 Preludes, Op. 11: No. 1 in C MajorAlexander Scriabin, Mikhail PletnevC Major18B63 BPM
Sonata in D Minor, K. 9 by Domenico Scarlatti, Ivo PogorelichSonata in D Minor, K. 9Domenico Scarlatti, Ivo PogorelichD Minor07A94 BPM
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino by Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo ChaillyAntiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. AndantinoOttorino Respighi, Orchestra Filarmonica Della Scala, Riccardo ChaillyB♭ Major16B172 BPM
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio by Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'DuinnPiano Concerto No. 1 in C Major, Op. 11, J. 98: II. AdagioCarl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'DuinnA♭ Major04B95 BPM
ISRC
GBDGQ1629402
レコードレーベル
L-M Records/RCA Records