"Donizetti: Lucia di Lammermoor, Act 3 Scene 6: "Spargi d'amaro pianto" (Lucia, Raimondo, Enrico, Chorus)" by Gaetano Donizetti, Maria Callas, Nicola Zaccaria, Rolando Panerai, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan was released on August 30, 1997. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 35 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan. In terms of popularity, Donizetti: Lucia di Lammermoor, Act 3 Scene 6: "Spargi d'amaro pianto" (Lucia, Raimondo, Enrico, Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Donizetti: Lucia di Lammermoor, Act 3 Scene 6: "Spargi d'amaro pianto" (Lucia, Raimondo, Enrico, Chorus) by Gaetano Donizetti, Maria Callas, Nicola Zaccaria, Rolando Panerai, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.9 In D / 4. Satz: A tempo (Molto adagio) | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 105 BPM | ||
La Sonnambula (1997 - Remaster): Aria - Ah! non credea mirarti | Vincenzo Bellini, Tullio Serafin, Maria Callas | C Major | 1 | 8B | 81 BPM | ||
Aida / Act 4: "O terra, addio; addio valle di pianti" | Giuseppe Verdi, Luciano Pavarotti, Paata Burchuladze, Maria Chiara, Ghena Dimitrova, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel | D♭ Major | 1 | 3B | 84 BPM | ||
Requiem In D Minor, K.626: 8.Communio: Lux aeterna | Wolfgang Amadeus Mozart, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 88 BPM | ||
Don Pasquale / Act 2: "Povero Ernesto! Cercherò lontana terra" | Gaetano Donizetti, Juan Diego Flórez, Gianluigi Petrarulo, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A♭ Major | 1 | 4B | 127 BPM | ||
Variations on a Theme by Haydn, Op. 56a: Variation I: Poco più animato | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
Das Rheingold, WWV 86A / Vierte Szene: "Ist er gelöst?" | Richard Wagner, Gerhard Stolze, Dietrich Fischer-Dieskau, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 173 BPM | ||
La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | D♭ Major | 1 | 3B | 87 BPM | ||
Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 135 BPM | ||
Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) | Giuseppe Verdi, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 1 | 4B | 85 BPM |